It’s been a hot minute since I made my last post dump on here (roughly a year and four months? or something like that?) and I’ve written a decent handful of features for NME Australia since then! Here are all of them:
I hope everyone reading this had a fantastic month, and has an even better October. I don’t really have much to report on my end (we’re still in lockdown, but it’s looking more and more likely that we’ll actually get out of it next month), so here’s everything I got up to around the Internet throughout September.
I think my favourite album this month was Sleigh Bells’ Texis, which feels like the definitive distillation of their warbly, off-kilter pop and rock ebullience – dare I call it hyper-rock? – into an ultra-bright eruption of fun and fucked-up production perfectly suited for the rollercoaster ride that has been 2021. Here I’ve tacked on my favourite track from the record, ‘Tennessee Tips’.
I hope you are having a wonderful start to your Saturday (or whatever time of whatever day it is when you’re reading this). I’m doing great today, I had my first really solid night of sleep all week last night and goddamn, what a difference that can make!
After a pretty chaotic June and July, August felt like such a turnaround. It was chaotic in the sense that I’m pretty sure I’ve singlehandedly kept the energy drink industry alive with how busy I’ve been, but it wasn’t chaotic in the sense that I had a whole bunch of turbulent shit going on in my personal life. The crushing malaise of lockdown aside, the past month has been exciting. We sent AG #145 to print and had it hit shelves, I picked up a third job – I’m back at BLUNT, now wrangling the site as its editor – and I got my second jab, so now I can look forward to being able to get out of the house again once NSW hits 70% vaccination (which they reckon will be around mid-October, but I’m not getting my hopes up there.
Here’s everything I got up to around the Internet last month – and a track from the debut Binki EP, Motor Function, which came out a few weeks ago. I am totally fucking obsessed with this record – it feels like a big, explosive bedroom-pop smoothie of Bloc Party, M83, Kid Cudi and Gorillaz. I’m gonna be mad pissed if this dude doesn’t end up headlining festivals by the end of the 2020s.
Okay, so June and July were pretty slow months on the posting front. But I spent most of June struggling with a whole bunch of health issues, culminating in an ICU stint and a bunch of other hectic shit in July, which in turn left me me with only the latter half of July to bring almost the entirety of Australian Guitar #144 together, while also working another steady writing job, getting my life back in order, and dealing with some other little tidbits. So I have that excuse!
August has already been a much more eventful month on the writing side, and I’ve picked up another editing job (so now I work three jobs, woo!) so the next post dump will be way more jam-packed, I promise!
‘Til then, I hope you enjoy cringing at all the shit I scribbled up in the articles below!
I’ve decided to embed three songs in this one: “Big Kitten” by Feed Me, from his downright magical new (self-titled) album, “Blackout” by Turnstile, from what I’m almost 100% certain will end up being my favourite album of 2021 (Glow On – keep an eye out for my review here next week, or read it in AG #144), and “Dead Friends” by Clay J Gladstone, which I caught on Triple J one afternoon and have been frothing since.
So this time I actually have an excuse for leaving this blog out to gather dust – I have been keeping myself super busy lately! And I’m feeling all the better for it!
I’ve picked up a new job as part of the Australian news team for NME, I’ve been writing a bunch of editorial for BLUNT, and I’m still going strong with Australian Guitar. I’ve also teamed up with the absolute gems at UNFD to write for their new podcast series, showcasing highlights from their back catalogue in celebration of the label’s ten-year anniversary. You can check that whole thing out here.
Milo and I are planning to move in the next few months, too, so there’s been a lot of time spent hoarding bits and pieces, looking at places, and hashing out a game plan. We did the RSPCA Million Paws Walk this month, which was an absolute blast – as you can see above, Bruno was definitely the biggest fan between us. We raised over $1,000 for pups in need! Go us!!!
Anyway, here’s everything of mine that got published around the web throughout March, April and May of 2021 ☺️
At the start of the year, I told myself I’d be using this site a lot more frequently, and posting at least once a week. But alas, we’re ankle-deep in March and I have posted literally once – I’m sorry. Please accept the above photo of my adorable baby Bruno as a consolation.
Anyway, here’s everything of mine that got published around the web (see: one piece for BLUNT and the rest on the Guitar World site – I also need to up my freelancing game ASAP, I know) in February. Note: all the GW features are also printed physically in Australian Guitar #141, which is out now wherever great magazines are sold!
To see this one out, here’s a song I am absolutely obsessed with at the moment. It’s the new single by Norwegian alt-pop trailblazer Girl In Red, “Serotonin”, from her debut album if i could make it go quiet – which lands April 30th via AWAL. I’ve been stewing with an advance copy of the record for a couple of weeks now, and I’m still blown away by it all over again on every listen (I’ve probably played it cover-to-cover a solid 100 times by now). It’s my first 10/10 album for 2021. I’m dying to get my hands on the vinyl come April. “Serotonin” is definitely a highlight on the record, too; I hope you like it as much as I do.